Hugo Alonso, 1981(Soria, Spain)
His work reveals a clear interest in the relationship between audiovisual products and their viewers. Initially pictorial, it has come to embrace a wide range of media such as videoinstallation, electronic music, visuals for theatre or painting.
Hugo Alonso’s individual recent projects are RAW (Galerie Youn, Montreal, 2017), Blonde (Pigment Gallery, Barcelona, 2016), Pendulum (CEART, 2016, Madrid), Believers (La Salina, 2015, Salamanca), How to resurrect a dead fly (Medina Film Fest, 2013), To my father and to the memory of my mother (Adora Calvo Gallery, 2011, Salamanca), Drop (Faquir Fest, DA2, Domus Artium 2002, 2010, Salamanca), Frederick Treves and the surgeon's room (Salvador Díaz Gallery, 2010, Madrid) or Paintingdrome (DA2, Domus Artium 2002, 2007, Salamanca).
He has been part of group shows such as Group Show (Kir Royal Gallery, Madrid, 2017), TOC (DA2, Salamanca, 2016), Poétique quotidienne (Galerie Youn, Montreal, 2016), This is not a love song (Pera Museum, Instanbul, 2015), Expanded light: new technologies in spanish videoart (Telefónica Fundation, Madrid, 2015), Unlikely landscapes (CyL Institution / Theatre of Guarda, CyL / Spain, Portugal, 2012), Art and Videoclip (Loop Festival, Barcelona, 2012), 2008 Generation (La Casa Encendida, 2008), Della Pittura Digitalis (Caprice Horn Gallery, Berlin, 2007), Mixed Emotions (DA2, Salamanca, 2008), Existence (MUSAC, León, 2007) or Heterotopies (Oktogon HfBK, Dresde, 2007)